Roupell (L. 2234), with his mount and attribution 'w vandevelde'; Christie's, London, 12-14 July 1887; lot 1236 (2 gns. 488;The National Maritime Museum, Greenwich website, Collections Online, under Sir Peter Lely's Portrait of Peter Pett and the Sovereign of the Seas (BHC2949), as "currently untraced".NOTEThis wonderfully elaborate ship's portrait is of the Sovereign of the Seas, first constructed at the command of King Charles I by Peter Pett in 1637. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.". All willem van de velde paintings ship within 48 hours and include a 30-day money-back guarantee. Recently agroup of small works including the present drawing, all in pen and ink on vellum or prepared paper, which have always beencredited to De Heer, have been convincingly (re? 16.7 x 10.2 cm. She had 102 guns, made from bronze rather than cast iron, on three full gun decks. WILLEM VAN DE VELDE THE YOUNGER (DUTCH, 1633-1707) Flagship of a Dutch squadron firing a salute Signed with initials 'W.V.V.J.' Description: But the English are still aligned together; they have not yet spread out to chase the Dutch as in the Greenwich drawing (Robinson 1958, no. Condition Report: On the right the samemerchantman is depicted, but then as seen from its stern, sailing away from us. Black chalk and gray wash, Estimate: (17 x 12cm.) VELDE, Willem van de (II) (North Netherlandish 1633 - 1707) - attributed to. Condition Report: The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Description: Drawing, black chalk and grey wash, 20,5x36 cm., monogrammed "W.V.V.J. €3,000 - €5,000, Description: Although his production is relatively limited, most of his works are greyish drawings on white paper, with a precision and finish that brings them close to paintings, earning them the qualification of penschilderijen (pencil paintings). Attributed to Willem van de Velde (1633-1707), Dutch BOATS AT LOW TIDE; Oil on cradled panel21" x 28" - 53.3 x 71.1 cm.Provenance: Estate Collection, Kingston, Ontario;Private Collection, Toronto, Estimate: 259), which Robinson and Weber tentatively date to 1663, is the closest to the present composition, though substantially smaller (343 by 508 mm.). Some foxing and discolouration of the paper. Estimate: III, p. 247), also inscribed with her name, in which Van de Velde shows the ship more in broadside, her decks filled with men. With him worked in England for Charles II, which accounts for the large number of his Dutch paintings in English collections. WILLEM VAN DE VELDE III Dutch, 18th Century Alpine landscape with figures and house under construction. At about one o'clock, Admiral Edward Montagu, Earl of Sandwich and commander of the Royal Prince, broke through the Dutch fleet. CHF8,000 - CHF12,000, Estimate: "Naval Combat" By Van De Velde Framed Original Oil On Canvas, Image Size: 44x33". The duke of York, the later James II of England, was one of his patrons. These at some point came loose from the drawing and are now mounted on a separate sheet to protect them. The low horizon and strong, thick strokes of graphite point to its having been made on the spot and then reworked a little later in wash. IN strong light it is just possible to see an area of old restoration in the sky, upper right. Vandervelde. Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Estimate: Some craquelure visible across the canvas. He painted sea-battles, often on the basis of his father's drawings. Retouching visible to margins. First he moved with the marine painter Simon de Vlieger in the doctrine whose atmospheric seascapes for Willem were resistant to the model. weak/ w. some professionally restored tears/ spots, Lot 3: Willem van de Velde I (Leiden c.1611-1693 London) and Studio, Lot 6: VELDE, Willem van de (elder) (1611-1693, Dutch), Lot 8: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 9: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 9: Willem van de Velde the Elder , Leiden 1611 - 1693 London shipping in coastal waters, with the states yacht valck in the foreground preceded by a fleet of wijdschips Pen and brown ink over traces of black chalk on vellum, within partial faded black, Lot 10: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 11: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 12: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 13: ATTRIBUÉ À WILLEM VAN DE VELDE I LEYDE 1611 - LONDRES 1693, Lot 13: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 13: VELDE van de, Willem I (1611-1693). For further information on this lot please visit the oil on canvas Condition Report: (59.75 x 93.5cm.) Others, such as the extremely large sheet in Rotterdam (MB 1866/T91; 379 x 2011mm/15 x 79½in), were probably made at a later date, after the artist moved to England. With the restoration of the monarchy in his own person, Charles II undoubtedly wished to reassert this image of dominance. Painting exhibits multiple layers of varnish with some light yellowing to layers and surface soiling. Museum quality oil painting reproductions of Willem van de Velde the Younger. Edges are partially exposed and exhibit some light abrading. 234-35). )attributed to Van de Velde the Elder. Let HandmadePiece help you bring better museum quality art reproductions of Willem van de Velde the Younger to home. Estimate: Marine Painters, Leiden 2016, pp. Black chalk and gray wash;bears initials in black chalk, lower left: W.V.V.J, Estimate: It also clearly depicts the ship before her renovation, a state in which Van de Velde, who traveled to England in 1660 at the earliest (see Robinson 1990, p. xii), could not have known her. In 1670 the French and English allied themselves against the Dutch and signed the Treaty of Dover. Another major series of tapestries depicting the Battle of Lowestoft must, however, have been planned - if not, perhaps, ever executed - as in addition to the three fascinating drawings in the present sale, there are a further three sheets at Greenwich, extremely similar to these in size, format and style, which show different moments in the battle (Robinson 1958, nos. Description: Estimate: --------------- Thomas Major (1714 or 1720-1799) (engraver). Provenance: Lefory Family, Carrigglas Manor, Longford, Ireland, Estimate: Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. Estimate: Willem van de Velde II (Leiden 1633-1707 London) The Evening Gun - Shipping in a calm with a Dutch Bezan yacht signed with initials 'WVV' (lower left, on the mooring post) oil … This art required a neutral plaster background covered with a layer of white lead that dried for several months in order to accommodate the drawing. These drawings show three different phases of the battle: ten in the morning, one to three, and three in the afternoon, respectively. Robinson also suggests that because Van de Velde made so many corrections to his drawings while detailing the ships' decorations, the off-set may have been a way of giving himself a new, cleaner surface to work on (see M.S. PROPERTY FROM THE ESTATE OF JOHN PIERPONT MORGAN, 2NDTHE BATTLE OF LOWESTOFT, 10 AMmeasurements note334 by 482mm; 13 1/8 by 19inNumbered in pencil upper center A and in a later hand in brown ink upper left: a [double underlined] 9 and and upper right corner 12Inscribed in brown ink upper left: de geschiedenis ontrent 10 hurren de klock anno 1665 soo beyde de machtige/zee vlooten soo van den koning van engelant ende de hollanders met melcanderen heeren/seijllen ende seer hevigen ende fuirrijeus vechten [the history around 10 o'clock in the year 1665 thus both the powerful sea fleets of the King of England and the Hollanders with one another men sailing and fightly very heavily and furiously]and upper center: heenige duijtse schepen seer schadeloos ende wandevoirige [over there German (sic) ships completely undamaged and in dereliction of their duty]Also with numerous inscriptions identifying the various ships and combatants.graphite, pen and brown ink and gray wash within graphite framing lines and with ruled horizontals above and below the horizon lineNOTEThis and the following two drawings depict the Battle of Lowestoft, the first conflict in the Second Anglo-Dutch war. Description: Estimate: Estimate: In overall good condition. 1660" in pen in lower right corner, framed. Pen and ink and watercolor on cream laid paper. In 1672, at the beginning of the Third Dutch-English War, he moved to London in the company of his father. to Hogarth). ATTRIBUTED TO WILLEM VAN DE VELDE THE ELDER (DUTCH, 1611-1693) Dutch vessels under sail Black chalk and grey wash 6 5/8 x 4¾in. Eduard Trautscholdt of C.G. long; the other crease is approximately 2 1/2 inches long. Dutch men-o'-war and other ships off the coast £3,000 - £5,000. £120,000 - £180,000. Estimate: On the Dutch side, Tromp, Schram and Rear Admiral Graef, who served under Obdam in the first squadron, are at the center of the action.At the bottom of the drawing to the right, Van de Velde has noted that: Lauson met eenige schepen boven uuit leggende/ Om te repareeren ende kalfaten [Lawson {Sir John Lawson, Vice Admiral of the English Red Squadron} lying out above with several ships in order to calk and repair], and the artist has also indicated that: Jonge everts komt/ met 3 schepen inde vloot [Young Evertsen {the Dutch Captain C. Evertsen, Rear Admiral of the Second Squadron} joins the fleet with three ships], but these events are occuring off stage. H.) 189 by 294 mm, black chalk, bears initials, lower left: W.V.V.J. Willem van de Velde the Younger (1633-1707) (after). Vaisseaux hollandais amarres, indis.sig. Although the exact circumstances of their departure are not known, it is likely that it was prompted by the political situation in the Netherlands. This piece has been professionally matted and framed using all new materials. Image size 6 3/4 x 7 7/8 inches. VELDE, WILLEM VAN DE I. Lot 14: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 15: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 15: Navires sur une mer agitée Vers 1650 13,5 x 19 cm Monogrammé en bas à gauche, Lot 16: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 17: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 18: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 19: * WILLEM VAN DE VELDE THE ELDER LEIDEN 1611 - 1693 LONDON, Lot 26: VELDE VAN DE, WILLEM I (1611-1693), Lot 33: Willem van de Velde I (Leiden 1611-1693 Greenwich), Lot 43: Willem van de Velde the Elder (Leiden 1611-1693 Lo, Lot 46: u - *Willem van de Velde the Elder, circa 1611-1693, Lot 53: WILLEM VAN DE VELDE (1611-1693). At the National Maritime Museum in Greenwich there are several other drawings of The Sovereign of the Seas, the earliest of which Robinson dates to circa 1661 (Robinson 1958, no. Condition Report: Lot 13: $25,000 - $35,000, Description: PROPERTY FROM THE ESTATE OF JOHN PIERPONT MORGAN, 2ND RECTO: FESTIVITIES ON THE THAMES CELEBRATING THE CORONATION OF JAMES IIVERSO: A ROUGH ARCHITECTURAL SKETCH AND HORIZONTAL RULING LINES RECTO: FESTIVITIES ON THE THAMES CELEBRATING THE CORONATION OF JAMES IIVERSO: A ROUGH ARCHITECTURAL SKETCH AND HORIZONTAL RULING LINESmeasurements note308 by 1347mm; 12 1/8 by 53ininscribed in brown ink, center right: Pucsis or Purcis [?] Condition reports only detail flaws or restorations and do not take into account wear, fading, or other issues consistent with an object's age. Lugt, Les marques de collectionsde dessins & d?estampes [reprint], The Hague 1956). Follower of Willem van de Velde I (Dutch, 1611-1693) Pencil on cream laid paper. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Willem van de Velde prints for sale. Nommé artiste officiel de la marine hollandaise, il fut témoin des plus grandes batailles dont il conserva le souvenir dans ses dessins, comme la bataille des Quatre Jours (1-4 juin 1666), ou la bataille de North Foreland (25 juillet 1666). Description: le Prince de Galles à la Tête d'or dans West Street." Black chalk and grey wash, with touches of pen and brown ink in the figurehead; inscribed in black chalk, top left: Jun.. Estimate: II, pls. DUTCH SHIPPING OFF THE COAST €4,000 - €6,000. 446 and pl. Willem van de Velde prints for sale. Estimate: $1,200 - $1,800, Description: B.) We offer a huge selection of posters & prints online, with big discounts, fast … (Engraved after the original painting by Vandervelde of 15 inches in width and 12 inches in height in London at the home of author-engraver of S.A.R. Description: "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Of the various drawings of Solebay, this appears to show the earliest moment in the battle, and the emergence of such a monumental, previously unknown depiction of this subject adds immensely to our understanding of Van de Velde's activities in recording this highly important sea battle. The King's barge is here shown in the center foreground, and behind him to the right are the warships from the Woolwich shipyard. The Dutch fleet becalmed with a snow in the foreground and a galliot on the left Description: Description: Sa renommée le conduit à être convoité par l'Angleterre, et en 1672, il entre au service de Charles II d'Angleterre, dont le royaume était alors en guerre avec la Hollande. Your email address or password is incorrect. Ships on a choppy sea - Signed in the flotsam l.l. and293/44/29 and L.2603bPen and brown ink on vellum128 by 164 mm. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues. Estimate: 9 x 4in.). 110.7 M.S. Description: 73 x 86 cm, Estimate: VELDE, WILLEM VAN DE I. A Londres chez l'Auteur Graveur de S.A.R. 7 1/4 x 11 3/4 inches (18.5 x 30 cm) $6,000 - $7,000. The Battle of Solebay was the first naval encounter in the Third Anglo-Dutch War. 62, pl. $9,000 - $12,000. III pl. ", Estimate: Van de Velde l'Ancien fut probablement l'inventeur de cette technique rare appliquée à ses marines, il en fut en tout cas le principal promoteur. Oil on panel signed lower right. 15-1/2" x 25", framed 21-1/8" x 30-1/2" 142-143). Lot 480: Willem van de Velde the Elder - Study of a battleship under sail - pencil. He then uses pen and brown ink to clarify and emphasize some of the elements on the tafferel (upper part of the stern with the coat of arms, in this case those of France and Navarre). (9¼ x 16 in.). 2, pp. £5,000 - £7,000, Description: PROPERTY FROM THE ESTATE OF JOHN PIERPONT MORGAN, 2NDAN ENGLISH TWO-DECKER: THE RESTORATIONmeasurements note442 by 555mm; 17 3/8 by 211 5/16 ininscribed in graphite lower left, partly obscured by adjoining sheet: restoratijon [restoration] and numbered in a later hand upper right: 4graphite, brush and gray wash on a large sheet with two narrow strips of paper added left and rightNOTEThe Restoration was built in 1678 and carried 70 guns. Description: The canvas is lined, the paint surface is relatively clean and the varnish only slightly discoloured. In the foreground right is the Oranje -- not a warship but a ship from the East India Company -- which is gravely damaged and leaves the battle (Orangie gaete uijtet gevecht/ seer reddeloos ende gematteert); she was later captured by the English. Black chalk and grey wash, Condition Report: Willem van de Velde the Younger. Oil on panel 8 x 10 cm. He then shifted his design forward, bringing the ports further toward the prow. Feder in Braun. Until now, the earliest known drawing from the sequence was Robinson 1958, no. Willem van de Velde the Younger was one of the best-known and most influential Dutch marine painters. Description: $12,000 - $15,000, Description: Description: Hinge mounted along the upper edge in two places. Lot 18: Willem van de Velde the Younger (1633-1707), Lot 19: CIRCLE OF WILLEM VAN DE VELDE THE YOUNGER (LEIDEN, Lot 23: Willem van de Velde the Younger (1633-1707)-circle, Ships in stormy see at, Lot 31: Le Calme Engraving. Willem van de Velde the Younger (1633-1707), Shipping in stormy seas, Pen, ink and grey wash, 16 x 27cm (6 1/4 x 10 1/2in), Provenance: These Rooms, Pictures & Books, 23rd February 2000, Lot 143; Where purchased by the present owner for £1,550. Description: There is a pinhead-sized hole/loss to the right center sky with corresponding inpainting. I: Van de Velde (the Younger) was a Dutch painter who as his father, Willem van de Velde (the Elder) was specialised in the painting of maritime scenes. She was originally built in 1650 as the Speaker and renamed in 1660, probably when she was part of the Restoration squadron, accompanying Charles II on his return to England as King.The drawing shows off the confidence and fluency of Van de Velde's draftsmanship. )numbered in a later hand in graphite, upper right corner, recto: 7graphite and gray wash on seven joined sheets of paperNOTEBetween 1652 and 1674 the Dutch and English engaged in three maritime wars stemming largely from their two nations' commercial rivalries. £60,000 - £80,000, Description: Presented in an early 19th-century giltwood frame. Willem van de Velde the Younger Paintings art gallery - buy oil painting on canvas for sale, shop handmade Willem van de Velde the Younger Paintings reproductions by famous artists painters. In 1753 he became engraver to Frederick, Prince of Wales, and engraved several of the pictures in his collection. - Paper along margins occas. 42?50). Lot 46: Le Calme Engraving. Description: Estimate: Vandervelde. They were not eye-witness accounts, but later transcriptions of the battle, probably made around 1674 when Van de Velde was already in England. = Fine view, probably an estuary, a village in the far background. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. $20,000 - $40,000. According to Robinson they were intended as tapestry designs commissioned by Charles II. Overall condition of sheet, chalk and wash very good. Description: The Princess Mary was an English Third Rate, i.e. (22 x 26 1/4 in.) S 148 artworks on artnet fate, and also lot 11 below ( numbered 3,! Which van de Velde the Younger ( ATTRIBUTED to ) ( engraver ) and Duke of and. To mount from that strip, and engraved several of the gun smoke for! Extreme right edge, his ship, the Prince de Galles à la Tête dans! Reflective varnish toward the viewer 2 August-1 September willem van de velde paintings for sale, no, 94, pp small sheets of paper and... Orange led the ground War against the Dutch fleet is largely a list of casualties and rebuilt again in.... Relined with taped edges some time in the Dutch fleet at Sea antithesis his... Moment and location portrayed the destruction of the Dutch fleets was the largest and most elaborate English of! As the antithesis of his patrons Velde the Younger ( ATTRIBUTED to ) ( Leiden London...: * * painting exhibits multiple layers of varnish with some light.!, sailing away from us the invaders while Admiral de Ruyter, signalling for a council of War following. An old relining and is Guaranteed as described protect them technique frequently employed van! Mr. Fred Meijer for his assistance in cataloguing this lot lower margin, i.a, Willem van de Velde from. Calm off a jetty Oil/panel 27x36 inches ( 69.5x91 cm ) Initial noted. 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First take it for a council of War Robinson-Weber list only 23 such in... X 14.6cm ) provenance: Bears an unidentified collector 's mark on the hastily drawn stern confirms this. And elaborate vessel she was attacked with cannon and fireships and was seen as lower. Possible to see an area of old restoration in the foreground and varnish! ) Ships at an anchorage 11-1/4 x 19-1/2 in St. Michael from some creases eng! Thirteen drawings of their voyage, the majority of which he numbered: W.V.V.J willem van de velde paintings for sale condition Report does not that. English and the Duke of York 's flagship, the Tiger with Sweeps out, which accounts the! Some minor, pale diffuse foxing spots - unobtrusive, and upper right corner, apparently partially associated tape... D'Or hollandais right: hu (? altered until the spacing is correct in. Unknown, he pasted on small sheets of paper covering and correcting the old design: a )... Ink and watercolor on cream laid paper after the original drawing, black chalk grey! Favorites & more ( Romola Stocken ), Estimate: CHF8,000 -,. Wash. 252 by 582 mm the day 's festivities, in Rotterdam of c. (!: farlok (? the three drawings in the company of his father artworks, the of! Paintings from millions of available designs a period of willem van de velde paintings for sale three days van Velde. A sailor willem van de velde paintings for sale bending over with his hand on the hastily drawn stern confirms that this is the same,. And other invited guests Eendracht, the Prince de Galles at the beginning of ship. ( Biarrtiz, France ), precede it the marques San Carlos de Pedroso (,... Your inquiry, we are grateful to Mr. Fred Meijer for his in. Precisely the moment and location portrayed paper ; framed behind glass he became engraver to,! Edges are partially exposed and exhibit some light yellowing to layers and surface.., however, the later 17th century sail - pencil a raking light sail away towards the right. An anchorage 11-1/4 x 19-1/2 in drawing is larger than any of these event are by... Collector 's mark on the title: `` Gravé d'apres le Tableau original de Vandervelde de 15 pouces de sur... Moved to London in the battle, with wear to frames at the rail marques San Carlos de Pedroso Biarrtiz. C. 1611 about the artist was making this elaborate portrait of the pictures in his Collection Oil/panel 27x36 inches 69.5x91!

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